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The SD-1 Super OverDrive pedal produces the warm, natural distortion of an overdriven tube amplifier while maintaining the subtle nuances of a player's picking technique. This is one of BOSS' more subtle and smooth overdrive pedals, perfect for blues and rock.
The Hotone Skyline Series WHIP distortion pedal has unique middle range tone shaping making it ideal for heavy metal. The EDGE button offers an even more aggressive tone with a high frequency boost. The WHIP is so small and lightweight that it can literally live in a guitar case or bag.Bright Led makes seeing settings and tweaking on stage a breeze.
The Mooer Skyverb is spacious 32 bit digital reverb pedal that gives large cavernous sounds in a tiny pedalboard footprint. It has 3 reverb modes: Studio/ Church/ Plate Studio. Studio is a warm all purpose natural indoor reverb. Church reverb is big open natural reflex reverberation. Like it's name it sounds like you are playing in a big cavernous church.
The Hotone Chunk is vintage British amp tones in a red fiery mini chili bomb package. Imagine if you went back in time 70 years ago and gave Jimi Hendrix this pedal. "Hey man, this is a true bypass overdrive pedal with 4 diodes carefully chosen for maximum punch and clarity."
Professional players use a compressor like a secret weapon to get accomplish many things, including adding more sustain to any guitar without adding distortion, defining every note in a chord while letting it ring out, creating in your face solos, and much more.
Why settle for a stomp box that will give you only one Flange tone? You want options and DigiTech delivers them! The X-Series Turbo Flange gives you an incredible total of 7 Flange effects to choose from!
The Cry Baby Wah is the most iconic guitar effect in music history. When it hit the scene in 1966, it added a whole new layer of expression to the electric guitar-players such as Jimi Hendrix and Eric Clapton used the Cry Baby Wah to create some of the most timeless sounds in rock.
It has 5 knobs for tweaking tone and distortion: three tone, one for distortion, and one for level. With an eq pedal in line after this pedal, there are about a zillion distortion possibilities available. It is one of the highest gain distortion pedals that Ibanez put out in the 1980's with around 65db of gain.
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.
The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.
DigiTech® invented multi-effects in 1988 with the DSP-128 and has been the leader ever since. The BP90 is DigiTech's newest induction in our leading line of bass multi-effects. The BP90 features 27 effects, 11 amps, 5 cabinets, and 5 stompboxes. Placing any tone right at your feet, the BP90 features 100 presets locations (50 user and 50 factory).
BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along?
G2.1u: Taking multi-effects to the next level Conventional floor-type multi-effect processors are designed to sound good when they are plugged into a guitar amp. Modeling processors are designed for recording in line. Until now, there was no product that could handle both scenarios with equal finesse.
The Markbass Bass Tube Marker supplies natural amp-like distortion, from sweet overdrive to exciting distortion, and its versatility makes it useful for any musical style. It always honors the natural voice of your bass, providing very dynamic, touch-sensitive response and a large output range.