The DFX12 actually includes three flavors of channel strips. Channels 1 through 4 accept microphones or mono line level sources, just like Channels 1 and 2 on its little brother. Channels 5/6 and 7/8 accept microphones or stereo line level sources. Channels 9/10 and 11/12 accept stereo line level sources.
This combination gives you maximum versatility: you can run up to four microphones and four stereo instruments or you could run one microphone and use all the rest of the input for instruments and tone modules. Or combinations inbetween.
Low Cut infrasonic filters keep your PA system from getting a woofer hernia. The 75Hz Low Cut filters on the DFX Series’ mono mic channels work wonders at minimizing mic thumps, stage rumble, wind noise and P-pops – subsonic frequencies that rob amplifier power and make woofer cones undulate like belly dancers.
The 12kHz High and 80Hz Low shelving EQ on the DFX Series are placed at the far ends of the audible musical spectrum (instead of the traditional 100Hz and 10kHz).
Recensioni
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